Work on this chapel was delayed after the death of Domenico Bollani and it was still unfinished in 1619, with a poor painting as the altarpiece. Privacy, Site tools The church, including the quadrangular space of the presbytery but not the apsidal choir, was completed under Palladio's supervision in 1575. Das Kloster sowie Kirche auf der Insel tragen den gleichen Namen. skype: turismovenezia Accessibility 041.5298711 fax 041.5230399 The great wealth of the monastery and of the powerful Congregazione di Santa Giustina dictated the scale of the enterprise; the precise liturgical requirements and traditions of the order determined the choice of a longitudinal plan, as well as the presence of the choir, presbytery, crossing, nave and dome. La chiesa presenta nella sua facciata, su diversi piani, due frontoni di tempio di un bianco abbagliante, realizzati in pietra d’Istria. Edward Morgan Forster mentions San Giorgio Maggiore in the chapter "On Beauty" of his novel A Passage to India, where the novel's hero Cyril Fielding contrasts what he perceives as lack of equilibrium in Indian buildings with the perfection of Italian architecture: and then came Venice. Grazie al geniale progetto di Palladio, S. Giorgio forma un contrappeso ideale a Piazza San Marco, dall’altro lato del bacino. It is located on the island directly opposite Saint Mark's Square. Montag-Samstag: 09:00-12:30 und 14:30-18:30 Uhr, Sonntag: 14:30-17:00 Uhr. English: San Giorgio Maggiore is a 16th century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio and built between 1566 and 1610. Die gigantischen Säulen auf hohen Sockeln umrahmen das einzige Portal sowie eine quadratische Inschriftentafel und tragen den Tempelgiebel, auf dem die Figur des auferstehenden Christus steht. Artist Hirohiko Araki features the church in chapter 516 of his long-running manga Jojo's Bizarre Adventure (within the story arc Golden Wind). Die Kirche San Giorgio Maggiore wurde im Jahr 1900 mit dem Ehrentitel "Basilica minor" ausgezeichnet. Beschreibung und Geschichte. Like Leon Battista Alberti a century before him, Palladio took the great baths of ancient Rome as his model. Form stammered here and there in a mosque, became rigid through nervousness even, but oh these Italian churches! All structured data from the file and property namespaces is available under the. Die Kirche gehört dem ausgedehnten Gebäudekomplex eines Benediktinerklosters an, dessen Ursprünge bis in das Jahr 982 zurückzuführen sind. PEC: aptvenezia@legalmail.it In the details of the order Palladio sought the greatest variety, refusing facile and predictable solutions, and he set great emphasis on the plastic force of the architectural membering: the engaged columns billow out beyond their diameters, the pilasters jut out greatly, and vertical continuity is continually sought throughout the elements of the order. [8], The altar to the left of the sanctuary was the responsibility of the Morosini family. Die Kirche gehört zu dem Gebäudekomplex eines Benediktinerklosters. The church and monastery were rebuilt after the earthquake. Information. Wir empfehlen Ihnen, Touren für San Giorgio Maggiore frühzeitig zu buchen, um sich einen Platz zu sichern. The monks were considering the rebuilding of the church from 1521. Im Jahre 1109 gelangten Reliquien des Heiligen Stephanus aus Konstantinopel in das Kloster, hierdurch wurde es neben dem Grab des Apostels Markus zu einem der wichtigsten Pilgerziele der Lagunenstadt. This category has the following 3 subcategories, out of 3 total. The campanile (bell tower), first built in 1467, fell in 1774; it was rebuilt in neo-classic style by 1791. Following on the barrel-vaulted nave against which are set three cross vaults — a true and proper frigidarium from the Roman baths — comes the unexpected lateral expansion of the apses and the vertical of the great drum and dome. It has been proposed that the elongated apse, separating the choir entirely from the presbytery, was the result of a new plan by Palladio for the church and monastery, coinciding with the 1579 initiation of the cloister of the Cypresses. Terms of use Samstag 9:30-12:30 | 14:30-18:00 Das Kloster sowie Kirche auf der Insel tragen den gleichen Namen. The work was not finished before the death of Palladio in 1580, but the body of the church was complete by 1575 except for the choir behind the altar and the facade. San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The choir appears to have been designed in essentials by Palladio before his death and was built between 1580 and 1589. The decoration of the interior was completed subsequently.[3]. Many years later, between 1607 and 1611, the present façade was actually built and recent studies have shown that it is far removed from Palladio’s original wishes. [9], The altars in the transepts were retained by the monks. In 1565 Palladio made a wood model (untraced) for a new church. Adorazione dei pastori (Adoration of the Shepherds) by Jacopo Bassano (detail). Sie wurde von Palladio entworfen und nach seinem Tod nach seinen Plänen fertig gestellt. © 2020 MyCityTrip.com - Das Informations-Portal für ihre nächste Städtereise. Address: Isola di S.Giorgio Maggiore, 30133, Venezia. The chapel to the right of the high altar belonged to the Bollani family (Domenico Bollani had been ambassador to Edward VI in England in 1547 and later a Bishop). Mobile Version Wir empfehlen Ihnen, Touren für San Giorgio Maggiore frühzeitig zu buchen, um sich einen Platz zu sichern. Donnerstag 9:30-12:30 | 14:30-18:00 www.turismovenezia.it/facebook, Project The cruciform plan incorporates a spacious barrel-vaulted nave with a domical crossing, an enlarged transept (to accommodate the participants in the rituals for the feast of St Stephen, co-titular saint of the church), and an elongated apsidal choir behind the presbytery. The outcome is a building of grandeur, which resurrects the spatial emotions of ancient Roman achievements. The stonemason's contract provided that it was to follow Palladio's model and there were only minor changes.

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